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Wilkinson MWHB Electric Guitar Bridge & Neck Pickups Humbucker – Black – High Output


These Double Coil Humbuckers higher output version of the WVC (similar to WCH Humbuckers.) Harmonically rich with tight lower frequency response. Special windings with ceramic magnets give good highs without sounding thin.  Nickel silver backing plates complete this high quality pickup. Excellent quality, superb sounding pickups with black mounts.

Product Features

  • Neck and Bridge Pickups
  • Wires can be split
  • Mounting Plates Included
  • Resistance:Neck 7.9kOhms, Bridge 15kOhms
  • Pole spacing: Neck 50mm, Bridge 52mm

Reblogged 11 hours ago from

Epiphone EEFTVSCH1 FT-100CE Jumbo Acoustic Guitar, Vintage Sunburst


The advanced jumbo style acoustic guitar is the go-to acoustic for beginners as well as professionals. Over the years, a wide range of artists including hank Williams, the Beatles, Elvis Costello, and Jeff tweedy of Wilco have chosen a jumbo style acoustic as their main tool for writing and performing. The Epiphone ft-100ce is a great acoustic guitar with a beautiful cutaway for great upper fret access that can keep up with you and it’s built with over a century of expertise and skill.

Product Features

  • The ft-100ce, like all of our acoustic guitars, is made tough. The ft-100ce is legendary for being easy to set up and for staying in tune so no matter how much playing time you have, it’s ready to
  • This guitar has a selected spruce top with selected mahogany body a with set neck and rosewood fingerboard and dot inlays
  • With nickel hardware and premium machine heads, this Epiphone guitar also has the Nanoflex pickup that has no equal

Reblogged 20 hours ago from

Peavey Vypyr Stage Pack – Satin Black


The most advanced 15w modelling amp on the planet in a pack! Featuring the Vypyr 15 and Peavey PXD 23 guitar, the Vypyr stage pack is every aspiring metal rock god’s dream. With 24 amp channels, 11 effects, 12 presets, WYSIWYG interface, and of course patented Peavey Transtube technology, the Vypyr 15 is truly 21st century state of the art. The PXD 23 guitar is a 24 fret, hum-cancelling pickup hammer of the gods, with solid construction and blade style tremolo bridge. The guitar is available in either satin black or blood red. Combine the Vypyr 15 and the 23 guitar and you have the makings for the industry’s most exciting electric guitar stage pack.

Product Features

  • Peavey 23 guitar
  • WYSIWYG Interface
  • True analog distortion
  • Patented Transtube Technology
  • 4 Channels

Reblogged 3 days ago from

Fender FA-115 Beginner Dreadnought Pack, Natural with Strings, Strap, and Picks


The new fa-115 pack offers great Fender sound and tremendous value to anyone looking to get their musical journey started on the right Foot. This pack includes a rich-sounding fa-115 dreadnought acoustic guitar, along with picks, a strap, a spare pack of strings and a free 30-day tribal of Fender play with access to hundreds of online lessons-everything you need to start playing instantly. The fa-115 is equipped with plenty of player-oriented features including a spruce top with “x”-bracing for full and resonant sound, smooth-playing 20-fret fingerboard and a tone-enhancing bridge with compensated saddle. Its quality construction and fine appointments make the fa-115 a guitar that sets itself apart from the pack and is sure to impress.

Product Features

  • Pack Includes everything you need to get started including an FA-115 acoustic guitar, picks, strap and spare strings
  • Natural gloss finish Spruce top with “x”-bracing, Basswood back and sides
  • 20-fret Laurel fingerboard
  • Hardwood bridge with compensated saddle
  • Dreadnought body style

Reblogged 4 days ago from

EMG Set Kerry King Active Humbucker Guitar Pickup Set 2546.00 w/Bonus RIS Picks (x3) 654330213854


Active Humbucking Pickup Set, Kerry King Signature, with 1 EMG-81 and 1 EMG-85, 1 PA2 20dB Gain Booster, 2 Quick-Connect Cables, 25k Volume/Tone Controls, and Kerry King Guitar Pick – Black

Product Features

  • Color: Black
  • Kerry King (Slayer) Signature Model of 2005
  • Combines an active EMG 81 with an active EMG 85 and a PA2 20dB gain booster
  • Includes 2 EMG exclusive Quik-Connect cables, 2 25k split-shaft volume/tone controls, screws and spring, a removable Kerry King card on the box
  • 1 EMG/Kerry King collectible guitar pick

Reblogged 4 days ago from

The First 100 Chords for Guitar: How to Learn and Play Guitar Chords: The Complete Beginner Guitar Method (Essential Guitar Methods)


Master Essential Guitar Chords and Establish Good Habits for a Lifetime


Discover how to play every essential chord on guitarUnderstand how chords work togetherBuild chord progressions and master strummingUnderstand chord theory and constructionInstantly apply and use chords to make songs


The First 100 Chords for Guitarists


Are you struggling to learn guitar chords?Would you like an effective way to memorize, play and combine chords to make music on the guitar?Do you want to confidently strum rhythms the right way?Do you want to build perfect practice habits that will stay with you for a lifetime?


The First 100 Chords for Guitar will teach you to correctly fret, strum and combine the essential chords in music to become a better musician, quickly and easily. 

Here’s What You Get:


A complete course, building from the first essential guitar chords to help you memorize, understand and apply chords musically.A proven practice routine that helps you build muscle memory, great technique and musical knowledge.Understanding of how to play chords the right way, and the theory of how they are constructedOne instant trick to teach your fingers how to move – subconsciously


Bonus One: Learn to link chords together in a truly unique, musical way. Linking chords means practice is always fun as you explore creative ideas.

Bonus Two: A complete guide to essential strumming patterns on guitar.


Are you Missing Part of the Puzzle?


Most guitar beginners know a few chords but few actually understand that it is quick and easy to expand that vocabulary into hundreds of chords and colors.

The First 100 Chords for Guitar is not simply a cold list of chords, it’s a complete guitar method for beginners that teaches you how to practice for a lifetime of good guitar habits.

From the most basic chords, right through to some rich and exciting advanced voicings, you will be guided in small friendly steps. Throughout, there is an emphasis on using the correct fingers, changing chords smoothly, building great technique and developing creativity.

Test Yourself!  At the end of each chapter, the newly introduced chords are combined into real-life chord progressions. 

How to Practice! – Also included is a detailed ‘How to Practice’ section along with dedicated chapters on Essential Strumming Patterns and some Chord Theory.


Hear it!

Learning chords from paper is one thing, but once you hear how to apply them, they become music. The First 100 Chords for Guitarists contains many supporting audio examples to help you get inside the music, and quickly apply every new chord in a musical situation.

Get the audio for free from our dedicated website.


This book is Free on Kindle Unlimited

Reblogged 4 days ago from

Martin SP 7100 Phosphor Bronze Lifespan Coated Acoustic Strings Light


Rich tone should last as long as the inspiration does. Martin SP Lifespan strings are the next level in studio performance. Treated for long life, they repel dirt, grit and other environmental elements that can quickly alter the sound of your strings. The treatment is so incredibly thin, you won’t even know it’s there. SP Lifespans are designed to last longer and sound better so you can play on!

Product Features

  • Designed to repel the oils and dirt that can deaden strings
  • Bright, but slightly warmer sound than 80/20 bronze when first put on the guitar
  • Recommended for lead rock, blues, and folk styles
  • Gauge (light): 12-16-25-32-42-54

Reblogged 1 week ago from

Flamenco, the Gipsy Rumba and the Raw Organic Approach of Guitarist Vincent Zorn


By: Rick Landers


(L-R) – Flamenco guitarists Vincent Zorn and Humberto O Salles – Vincent and Humberto perform weekly mixing Rumba and Latin guitars. Image courtesy of V. Zorn.

Word had it that there was a Flamenco guitarist in Virginia that had the most efficient set up to haul his gear around and load out than most had ever seen. And besides that, Vincent Zorn, gets places  jumping with his thumping Flamenco guitar playing, as well as makes his audiences swoon with his quieter romantic Latin tunes.

So, I took a hike down to Charlottesville, Virginia, where Vincent was performing in a duet with Humberto O Sallies – a weekly event –  for a packed crowd at a local restaurant, with patrons dancing to the music, drinking a few shots of Tequila and thoroughly enjoying his and his fellow guitarist’s performance.

Flamenco is an art form from the Andalusian (Southern) part of Spain and relates not only to a guitar style, but also includes a style of dance and song.

Zorn has released six albums/recordings where he fuses into a fine blend the fiery passion of Flamenco, the intricacies of Jazz and what he’s called, “the relaxed sensuality of Bossa Nova”. To imagine a feel for his Flamenco style, think in terms of the Gipsy Kings, Ottmar Liebert or the legendary Manitas De Plata.

Vincent has studied guitar in Spain, Turkey and Mexico where he traded licks with The Blonde Gipsies: Latcho & Andrea. He’s also the founder and composer for the Flamenco dance band, Last Caracan, and the gypsy guitar/violin duo Vincent & Vedant (Koppero).

Although Vincent calls Charlottesville home these days, he makes his way to more than 250 gigs a year and finds his way to other locals, including many in California where he’s played at the Santa Barbara International Film Festival, Bill Graham’s Mountain Aire Music Festival, The Chico World Music Festival, The Bear Valley Music Festival and many more, including private and corporate events.

Vincent uses Jose Luis Diaz Reyes Flamenco Guitars & Daniel Mari Strings, exclusively.


Rick Landers: I understand you’re living in Charlottesville, Virginia, and wonder what the Flamenco music scene is like in that part of Virginia – I mean, aren’t you in Bluegrass territory?

Vincent Zorn: [Laughs] Yes, the Commonwealth is definitely the heart of Bluegrass country. Luckily, Charlottesville has such diversity; my sound has fit right in. I was a bit nervous prior to my arrival, however, there are a couple of us performing Latin and Flamenco guitar here so I found my tribe pretty quickly.

It’s funny; I released an album with my band, Last Caravan, back in 1999 titled Original American Gypsy Music, never thinking I would end up in the middle of American country and mountain music, but it works.

Rick: I suppose you’ve got a niche market for Flamenco, so you can line up gigs regularly. Are you mostly playing in the background with softer ballad-style guitar work, or are you shattering a few windows with some of that rapid fire strumming style?

Vincent Zorn: I do a bunch of low volume, background work. – Weddings and private parties. However, I have a restaurant residency at The Bebedero here in Charlottesville that allows me to rattle the walls. It’s not uncommon for patrons to jump out of their seats and dance.

There is a real appreciation for dance and music here so I have been having a blast. Plus, there is no shortage of great players and dancers!


Vincent Zorn’s recordings can be purchased HERE.

Rick: What road did you take that led to playing Flamenco?

Vincent Zorn: There are only two places on the planet that, as a culture, express the art of Flamenco. Southern Spain, and Southern France. While I studied in Spain (Seville, Cadiz, and Jerez), I wouldn’t consider myself a traditional Flamenco guitarist.

My style comes from the Gypsies of Southern France – Manitas De Plata and The Gipsy Kings.

It’s a fun, party style that incorporates heavy percussive right hand playing. Lots of pulgar (thumb) and syncopated percussion played on the body of the guitar. Its gypsy music – technique pulled from Flamenco and made into its very own thing.

While traditional Flamenco is strict with compas, singers and dancers, Gypsy Rumba is free and open to improvisation. I was immediately attracted to that wild, free style and pursued it relentlessly. I traveled to Southern Spain, and to France – to Arle and Les Saintes Maries de la Mer looking for the sound.

I have a teacher in Mexico that I studied with that learned from the Gitanos. He and his wife have a performing duo, and made an indelible mark on my life and playing. I owe most of my success to them, for without their sharing of this style, I would still be searching.

Rick: While studying the guitar, most of us find the fret board pretty daunting, especially trying to find our ways around it when improvising. How did you lock in on that to have such a fluid, and what seems like an intuitive approach?

Vincent Zorn: Gypsy music is folk music. Flamenco is the blues of Spain. So, in a theory sense, it’s pretty accessible. The lessons are in the subtlety. I can listen to a song I’ve heard a thousand times and hear lots of new tricks and executions that you miss if you’re not actively listening.

As far as my approach to the instrument, I have always tried to connect the emotion with the hands. To me that’s everything. Of course, there are scales and chords, and relationships to each, however the difference between a soulful player and a technician is that connection.

Rick: How about a run down of all the guitars you’ve owned and if you still have some of them hanging around?

Vincent Zorn: I have paired my guitars down to just what I need in order to perform. Don’t get me wrong, at one point I had 10 Flamenco guitars. I love nylon string guitars, however, I just need a few to work and be happy.

I currently have three handmade Flamenco guitars by Jose Luis Diaz Reyes of Paracho Michoacán, Mexico (two blancas and a negra), and one Flamenco Negra that I built myself. Oh, and a fretless flamenco guitar that I use for recording.

Rick: As essentially a solo artist, and recognizing the investment one has to lay down to produce a CD, what kinds of advice would you give songwriters and other performers in that regard, so they don’t waste their hard earned cash?

Vincent Zorn: My advice is to buy some recording gear first. Learn the process and start recording. Don’t get bogged down in the technology, and have your studio ready so when the muse visits, you can hit record and go.

There has definitely been a decline in CD sales, so produce short runs of discs if needed. Plenty of places online doing it for a little over a buck per disc. Submit your work to all major online retailers and streaming services.

Vincent Zorn - Image courtesy of V. Zorn.

Vincent Zorn – Image courtesy of V. Zorn.

My last cd I recorded was done live with a handheld digital recorder hanging from the ceiling in an attic room of an old Victorian house. We did one takes and was done in three hours. Are there mistakes – yes. Who cares – we made a moment and we documented it.

Can you hear the room on the record – hell yes. You actually hear the foot taping and us breathing, and laughing on the record. I love the raw approach and that record cost me under $50 to release. I spend more on strings. [Laughs]

Rick: “Music” is virtually everywhere – people’s voices, traffic sounds, the wind, the ocean – are you a good listener that picks up on the sounds around you for inspiration, or does your music come from the inside and work its way out?

Vincent Zorn: There is no secret to this art. Just be ready and inspired. I could let you listen to tons of 20 second melodies on my phone, that I hum into just to capture it. Influenced from the outside, internalized, and processed. Or, with the instrument stumbling onto something great. The beauty is that the approach is always evolving.

Rick: I heard that you’ve got some “contraption” that folds up your gear, including a seat that makes lugging gear around much easier. What’s that all about?

Vincent Zorn: The older I get, the lighter my gear gets. I don’t have a contraption to carry gear, however, I did design a stool with a fold out footrest.

There is something about sitting up higher than your audience that I noticed playing in restaurants. You need to create the illusion of a stage.

So, being that stools are higher, and my pedal board is on the ground, I designed a small foldout foot rest that I place my pedal board on so I can sit up high while still being able to comfortably access my pedals. Stool folds flat and is easy to transport.

Rick: What guitars are you playing at gigs and do you have guitars that don’t go outside at all – a low risk decision?

Vincent Zorn: I have my workhorse Flamenco Blanca with a custom built Bartlett mic built in. It’s the guitar that get the most wear and tear, and it plays and sounds fantatstic. I actually modeled the neck profile on the guitar I built after it. This is definitely the guitar that gets the hardest workouts.

The French polish needs to be redone, but will put it on the bench for a few weeks.

Secondly, I have another Blanca that stays at home these days, but is by far my favorite to play. I used to mic it up as I just can’t bear to drill into it. Just plays like a dream, and actually sounds the best out of all of them.

Last is the guitar that I built that pretty much stays home and I practice on. It’s a larger scale guitar (660) and is just a cannon. I have performed with this a few times, but I appreciate it more at home.

William Zorn (far right) - Image courtesy of W. Zorn.

Vincent Zorn (far right) – Image courtesy of V. Zorn.

Rick: Tell us about your past recordings, current recordings and dreams you have of recording in the future.

Vincent Zorn: Well, I have nine recordings with different projects over the years. Full band, a couple of duos, couple of solo records.

Looking forward to recording with my current duo beginning of next year, as well as a compilation album. I recorded a modern lullaby album with a Midi Flamenco guitar a few years back that was recorded live with delays and a looper. Would love to do another like that. Kind of a Flamenco Pink Floyd.

This month (December 2018) I am releasing a compilation album from all of my albums. Probably do a short CD run as folks still sometimes ask about CD’s.

Rick: Many artists seek to blend their ambition with their altruism and they play at senior living communities, hospitals or have a favorite charity that gets a bit of their income. Any favorites or venues you seek out to give back?

Vincent Zorn: You know, making a living as an artist is a tough business. Schedules, etcetera. I do my best to donate my time when I can. It’s always a great feeling to give with your talent and time rather than just write a check, and some of my favorite gigs have been ones that I donate my talent and time.

Reblogged 1 week ago from

ChromaCast CC-AHC Acoustic Guitar Hard Case


ChromaCast hard cases are designed to protect your instrument and keep it sounding its best. Durable wood construction features plush lined interior with extra neck and bridge padding for full support. Sturdy chrome latches and bumpers on bottom and sides of case add protection and stability. Molded handle allows for comfortable, easy transport. Also features large accessory compartment. Designed by musicians for the active player. ChromaCast is dedicated to crafting roadworthy products. Providing the best in creative design and durability. ChromaCast proves you don’t have to spend a fortune for quality music gear.
Acoustic Hard Case Interior Dimensions: 44″ Length, 13.75″ Wide Upper Bout, 17 ” Wide Lower Bout, 5″ Height

Product Features

  • Lockable wood hard case with plush lined interior that includes extra neck and bridge padding
  • Sturdy chrome latches and bumpers on bottom and sides of case for added protection and stability
  • Comfortable molded handle
  • Large interior storage compartment for accessories
  • Inside Length: 44 inches , Outside: 45.5 inches , Inside Body Length: 23 inches , Inside Lower Bout Width: 17 inches , Inside Upper Bout : 14 inches

Reblogged 1 week ago from

Oscar Schmidt OE20G Electric Guitar – Gold


Oscar Schmidt Electric Guitars, OE20G, Rosewood Fingerboard, Stop Tail Bridge, Gold Top

Product Features

  • stoptail
  • die cast tuners
  • HH pickup configuration
  • volume and tone controls
  • maple Neck
  • Stoptail, Die cast tuners
  • Volume and tone controls, Maple Neck

Reblogged 1 week ago from